Basic rules and tips for recording music (continued) - Part 2

Two - Playing in Time. Ok you have got your click track all set up and you cannot wait to start laying down some cool vibes. You and your fellow musicians put down your tracks live or one at a time but when playing back it sounds slightly disjointed and, frankly, quite loose and a bit dodgy. Just knowing it sounds not quite there is a good sign. Why does it sound like this? Well this is where being a good musician comes into it. The closer you play to the click track the tighter your music will sound, you can still play to the click track while playing before or after the beat (slightly) : great musicians can do this at will but for us mere mortals it is best to try to hit the beats, that’s right : bang on the money! Practice helps enormously. In the digital domain editing can really improve slightly out of time parts but it is very labor intensive and it is not for the dabbler as once you start you have to finish to make any tangible improvements.

Three - Tuning. I do not need to go big on this one, just make sure all your instruments are in tune with each other, use a pitch fork, piano, guitar tuner or whatever but make sure all your instruments are all good to go before the tape rolls. If your singer cannot sing in tune to the detriment of the music then do not buy some auto tune software rather go out and find another singer.

Four - Level : get it down hot. No matter what type of equipment you use, how you record the signal of each instrument is crucial to the end result. People sometime get nervous about this and there are numerous articles out there that completely over complicate this issue. If a recorded signal goes over 0 DB then it will distort and generally speaking be good for nothing. If a recorded signal is weak then it is difficult to place in a mix without turning it up very loud and this can make it very noisy. On tape you can record very hot, this means the level of the signal going onto tape can be quite high.. but still you do not really want the loudest parts to over -4 to -2 db. For recording digitally your highest peaks should not probably be over -4 db: leave yourself some head room… the odd peak a -2 db is acceptable. Many of us do not use compressors while laying down tracks but if you have one and have a very dynamic part that is difficult to record then you should use the compressor to control the peaks so that you do not overload signal – be conservative so as not to squash the sound just control those naughty peaks.

Basic rules and tips for recording music - Part 1

Most of us who record music at an amateur or semi professional level are not content to rest on our laurels as the quest for better sound quality and better produced music is practically endless. When one listens back to ones earliest recordings it is usually not hard to hear inherent problems in the performances, recordings and of course, the mix. At times listening can make one cringe. The fact that they might make you cringe is a positive thing as it proves that you recognize the faults in the recordings and if you were to rerecord the pieces of music in question then you would probably want to correct certain issues immediately. This article’s sole purpose is to lay out several important techniques for achieving better recordings.

One – Tempo. Pieces of recorded music that unintentionally fluctuate in tempo are the hall marks of shoddy musicians and engineers. Many musicians get nervous and excited when they play so they need something to keep time to i.e. a click track or a metronome and yes even the drummer needs something to keep his beat steady when recording. Why bother having a click track, you ask? Well, fluctuations in tempo make it harder for other musicians to lay down their parts to the recorded music and the music will not be able to “breath” properly, sounding rushed and congested at times and dragging its feet at others. If you are recording with a DAW or a sequencer then use the click track facilities when laying down the basic tracks.

Obviously you need the click be set up for the right speed and time signature so spend five minutes making sure these are right for the music you want to record. If you are recording onto tape, such as a four track porta studio, then the easiest solution maybe be to set up your metronome and record it onto a track before you commence recording your parts. A drum machine is a perfect metronome. If you are limited for tracks then once you have solid “keeper” parts down you can record over the metronome track.

One enormous advantage to recording with a click in is that you can easily and properly edit bulk sections of your song/music piece i.e. you can cut and paste a whole chorus and it will be perfectly with the rest of the song. I record royalty free music and albums for Rock Bands and ninety five percent of the time I record with a click.